Review: The Glass Spare

Wilhelmina Heidle, the fourth child and only daughter of the king of the world’s wealthiest nation, has grown up in the shadows. Kept hidden from the world in order to serve as a spy for her father—whose obsession with building his empire is causing a war—Wil wants nothing more than to explore the world beyond her kingdom, if only her father would give her the chance.

Until one night Wil is attacked, and she discovers a dangerous secret. Her touch turns people into gemstone. At first, Wil is horrified—but as she tests its limits, she’s drawn more and more to the strange and volatile ability. When it leads to tragedy, though, Wil is forced to face the destructive power within her and finally leave her home to seek the truth and a cure.

But finding the key to her redemption puts her in the path of a cursed prince who has his own ideas for what to do with Wil’s power.

With a world on the brink of war and a power of ultimate destruction, can Wil find a way to help the kingdom that’s turned its back on her, or will she betray her past and her family forever?

Fun fact: when I found this book, it was in the business section. Obviously, it was in the wrong section but it definitely caught my attention. So I read the back.

Me reading the back of a book is actually a pretty dangerous thing. It leads to me buying said book and adding yet another to my shelf. I just can’t help it sometimes. A girl who was basically raised to act as a spy who can suddenly turn people to gemstones through touch? I had to have it.

The king, Wil’s father, is a tyrant dead set on maintaining the old ways while the world around them embraces technology. He is also rather paranoid and power-hungry, determined to take over the world through war. He pressures the youngest and smartest of his sons to create weapons of unfathomable destruction. The oldest son is in training to be king. And the middle child is angry and jealous. 

When it comes to his daughter, she is nothing but a tool for him. A way for him to accomplish things that he doesn’t want people to know he is doing. We mostly see her going on missions to find specialized ingredients to help her youngest brother with his experiments, but there are hints of countless other missions. 

The relationship between Wil and Gertie (the youngest son) was something I very much enjoyed reading. It was so pure and so strong that it made me want to have a brother like that. Well, I have a guy friend who is like a brother, but my point still stands. I have always enjoyed stories that play with various family relationships, whether it is biological or adopted. This story plays around with these dynamics in a way that I very much enjoy.

I also really enjoyed the magic system. The world has an air of mysticism to it that I found to be a refreshing step away from the magic laden worlds I am used to. Those born with magic are few and they mostly deal in curses or blessings. Well, I assume there are blessings. We haven’t seen much of that yet as far as I can tell, but the two do tend to go hand in hand. Either way, these curses can only be given by incredibly powerful beings and cannot be broken unless by the one who gave it. 

Two of the characters we meet are cursed. We know where one came from, but not the other. This just adds to the feeling that there is more going on in this world that we have seen so far. There are mysteries yet to be solved, worlds left to be explored, and a war looming on the horizon. So many things that could go horribly wrong. 

The Glass Spare ends with the promise of more to come in The Cursed Sea. This is a fantasy duet that is worth reading. 

How to not Retcon

I think we can all agree that retconning is bad. We have been there, covered that. Time to move on.

Now, how do we avoid retconning?

I have been putting some thought into this recently. As a writer, I understand how easy it can be to let details slip or lose track of where a particular plot thread was going. As the story grows and morphs, and you move beyond the first draft, things can get lost.

The one I am currently working on has gone through some drastic changes, and it includes possible character name changes part of the way through the book. I’ve trimmed down my cast of characters quite a bit, but there is still a lot to keep track of.

So here are a few things I am going to do to keep my story straight.

Note: there are wonderful programs, such as Scrivner, that help with this but as I do not have any such program, my suggestions will reflect this.

Plot, plot, plot

You may be thinking “duh, we all know how to plot.” Hear me out.

I’ve mentioned before that my current project has gone through a lot of changes. When starting on the most recent draft/iteration, I created a detailed plot outline detailing my idea. Then I talked through the plot with my friend, resulting in some of those points being changed.

I then went back and reworked the plot outline. Its a goal of mine to always have an up-to-date plot outline. The practice may seem like a waste of time, but as your story changes adjusting your outline can help you easier keep track of the current plot.

Also, by intentionally plotting things out ahead of time and throughout the process, this could help you create a smoother, more coherent plot.

It is easy enough to do and will save you a lot of trouble in the long run.

When in doubt, leave it out

Perhaps “keep it vague” is a better way to phrase it.

Picture this:
A writer decides far into the story that they want to do something with a character or the plot that differs from their original plan. They have not built up to this in any way, and chances are they have already hinted that things were going to go differently.

I know I have seen it before and I am pretty sure you have too, at least once. It is super annoying and has a nasty habit of ruining whatever impact that moment might have had.

My solution?

If you aren’t sure where you want to go with something, keep it vague. Don’t give any direct answer as to which way it could go. Even better, leave hints that it could go either way. By leaving it vague or uncertain as to which way something could go, you make the reveal of the truth that much more rewarding.

It can also give you time to consider why you are thinking about doing whatever it is. If it is important to the plot, great. If it is for shock value, maybe reconsider. But that is a topic for another time.

Make a cheat sheet

This relates back to the first point about keeping an up-to-date plot outline.

Odd names for people and places. Important objects that exchange ownership. Convoluted plot threads. If there is a chance you could forget or lose track of things in your story, consider creating a cheat sheet.

Keep records of your characters, how to spell their names, their backstories, how they are related to the others. Write down what they look like and make notes of when that might have changed.

Trace the ownership of important items and note what was going on when they changed hands.

Use the highlighter to visually mark important events and add them to your cheat sheet.

Yes, tools like Scrivener make this much easier, but there are ways to function without them. Use whatever tools you have at your disposal to keep your story straight.

Get more eyes

Lastly, it helps a lot to have a second pair of eyes. Get a friend or someone you trust to read over your work.

I know you have spent hours upon hours pouring over your work. That is part of the problem. You are so familiar with every single word that you are bound to miss things. By having someone who has never seen it before (that may or may not already know the story), you are increasing the likelihood of catching any slip-ups.

I have done this for friends before and helped catch some name mix-ups as well as things that were not made clear. It can be hugely beneficial and, by giving it to a friend, you know you can trust their advice. Also, they are less likely to tear your work into tiny little pieces.

Now, this doesn’t mean that you don’t need to hire an editor. Those are needed too.

Hopefully, you will find these tips and tricks useful when tackling your next literary adventure.

Next week we are going to be tackling one of my favorite questions and the uncertainty it can cause.

As always if you have any questions or comments, leave them down below. I am always looking for new topics to cover!

Until then!